Poems from "Hauntings of Welcome Addiction"
Hour of the Wolf
We used to wake up and walk around
for an hour or so at midnight.
When life was pulled by your horse
out in the sunshine drinking brandy
you had something worth saying in the middle of the night.
Carnal oil lamps weigh nothing, a warm vestige
of the hour of the wolf.
Now smoked glass hides the four in the morning
sunshine. You’re lost and uneasy but march hypnotic outside.
I don’t know how to fall asleep.
I’ve been doing it for years
and it’s still a mystery.
But the four thirty feeling is realized,
ancestral, and I cry for all the spilt seconds.
Digital magnets unfurl the ocean
like goose feathers across the bed.
Stars in the city are mere shapes
sold in plastic.
Sometimes we need to be disturbed.
Sometimes we want to be shaken.
Sometimes we must glimpse the shadows in the dark.
Black Eye with a White Bow
A candy coated outside
ambling past me
dressed all in white,
chewing her gum
and her oily black tresses
when she suddenly spits
it out at my feet
and asks me for a cigarette.
Grinding her teeth,
withholding her willing tongue,
she shyly scrapes at
the violet rash pickled down
both powdered arms
and sluggishly steps up to my toes.
The wind retreats to leafless heights
and I am left alone
to protect the neighborhood
from this retired pickpocket.
Her eyebrows twitch
as I stare:
I see the mute, blue skin
beneath her eyes as it confesses
lies of splintered sunglass rims
and makeup smeared on
in the commuter train
on the way to dinner rehearsal. Or soon
on my bathroom sink, if
I were to let her in.
Her skin smells of exhaled aspirin
as she leans into the lamplight and breathes:
I could really use a drink.
What treachery is this?
What ploy to invade my home
and spoil my drapes and carpeting
with her tangled messes
of soon-to-be graying hair, doubtless
leaving my home furnishings lacking
and once again juvenile?
This porcelain figurine, with the severed straps
of her dress held up by dirt and sweat,
is brittle, and soaking up what fortune
she still has the audacity to collect.
Can I take pity on this crippled mare,
this unicorn turned black by self-mockery;
kidnapped for her smile but always ushered out of town
after the silence turns stale and sour?
No, I’d just badger her
with sweets until she spoilt
enough to throw away. Now
I can see the fist marks on her face
are mine.
I’ve seen her once before.
Just this morning,
at the altar
when I said
I do.
In Older Days
I went to a park today,
a park with signs
restricting my freedom to be
beyond their invisible moral fence.
The nature trails all withered
and stomped into cobblestone,
with their stop signs protecting
the world
from us
instead of the other way around.
They’ve cramped the great outdoors
into a zoo, so of course
we spit in the eyes of their morals
and sneak on to the animals’
private property,
just to see what it was like
in older days
being a man.
Only the children
are alive enough
not to give a damn,
to climb on top of their precious stone gods
openly.
But then the parents shriek
and redden, crying
over the devastated rock,
dragging their kids away from their imagination,
never to be touched again.
I am the first flightless bird
in a land littered with boulders.
Permission to Leave
I was sitting on a broken bench
at a bus stop in the sun
smoking warm cigarettes
waiting for death to drive up.
I smoked all the cigarettes
and still he did not come
so I tucked away one pack
in case I was ever the last man
and began to drink
to see if I could coax out
a squirrel or a rat to tell me
what was really going on.
The Amber liquid burns
for twenty years
and then calm
and then nothing
not even a quality headache.
The mice are conspiring
to eat my shoelaces,
my hair,
to make me bald and red and new
like another baby, a squirm
a set of bright eyes
reflecting the poison in the crystal
jars and trinkets and fancy wrapping.
I can't wait for the end
of the world
so that I can smoke
again.
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About the Book:
Yegor Andrianov is a poet cut off in mid-sentence. A voice about to soar and then stifled. His first book, Hauntings of Welcome Addiction is both provocative and frustrating. With rough edges, it still impels us to reach beyond the mundane for the transcendent. His gritty legacy is one of jaundiced compassion and force-fed hookers. Of grabbing grace by the throat and softly asphyxiating on cynicism. Beneath the tales of war and the streets of New York, addiction and ripped up love, an undeniable vulnerability shines through. He is finished before he begins and never begs pardon for leaving us hanging.